Bally Fall Winter 2024-25 Fashion Show

Bally Fall Winter 2024-25 Fashion Show

Bally Fall Winter 2024-2025 collection fashion show at Milano Fashion Week FW24 (February 24, 2024).

Simone Bellotti, in his sophomore collection as Bally's creative director, delves deeper into the rich tapestry of Swiss folklore and Alpine mysticism, weaving a narrative that celebrates the intriguing yet often overlooked aspects of Swiss culture. Drawing inspiration from pastoral symbolism and mythical creatures that inhabit the Swiss landscape, Bellotti crafts a collection that balances instinctual allure with rational sophistication.

At the heart of Bellotti's vision lies a juxtaposition of severity and grace, as he deftly combines elements of austere poetry with functional Swiss precision. The runway unfolds with nods to ancient traditions, where men from mountain villages transformed into wild demonic figures on New Year's Eve, clad in costumes crafted from shaggy furs, moss, and ivy. This primal instinct, juxtaposed with the sobriety of rationality, sets the tone for the collection's exploration of duality and contradiction.

The garments themselves are a study in contrasts, with neat double-breasted swing loden coats adorned with treichein bell-inspired flares, and knitted gilets revealing furry backs hinting at untamed wilderness beneath disciplined exteriors. Fur inserts peek out from under strict asymmetrical felted-wool dresses, while sinuous midi skirts in velvet or dry wool evoke the sinuous tails of freshwater sirens.

Transitioning into more pragmatic territory, Bellotti offers smart, elegant solutions suited for everyday wear, echoing the comfort and propriety required for office life in a Swiss bank. Precisely tailored pieces exude a cool patrician undertone, with black leather blousons, carcoats, and capes offering protective yet supple outerwear options.

A cautious note of disorder emerges with the introduction of knee-length pencil skirts and masculine waistcoats adorned with traditional Appenzeller motifs, interspersed with metallic grommets reminiscent of the punkish aesthetic of Swiss queer artist Karlheinz Weinberger. This subtle nod to contemporary discourse adds a layer of relevance to Bellotti's work at Bally, showcasing his ability to marry pragmatism with expression in fashion that resonates with the spirit of the times.

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