Vogue UK January 2026 with Margot Robbie (Model), Mikael Jansson (Photographer), Robbie Spencer (Wardrobe Stylist), Pati Dubroff (Makeup Artist), Bryce Scarlett (Hair Stylist).
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For its January 2026 issue, Vogue UK places Margot Robbie at the centre of a cinematic and editorial moment shaped by anticipation, ambition, and control. Photographed by Mikael Jansson and styled by Robbie Spencer, the cover story positions Robbie not simply as a star subject, but as a creative force navigating the convergence of performance, production, and image-making. The feature coincides with the imminent release of Emerald Fennell’s Wuthering Heights, a project that has already generated intense cultural conversation, and the interview unfolds as a portrait of an actor consciously shaping both her work and her public narrative.
The article traces Robbie’s immersion into Fennell’s reinterpretation of the Brontë classic, emphasizing the emotional and physical demands of the role of Cathy, as well as Robbie’s dual position as lead actor and producer. Observed in the film’s editing and recording environments, she is presented as deeply engaged with tone, rhythm, and affect, attentive to how music, performance, and visual language converge. Rather than framing the film as provocation alone, Robbie characterises it as a large-scale romantic work, one that aims to elicit a visceral response through intimacy, restraint, and heightened atmosphere rather than shock for its own sake.
Attention is also given to the controversy surrounding the film’s casting and aesthetic choices, which Robbie addresses with measured confidence. The interview suggests an actor comfortable absorbing criticism while maintaining faith in the finished work, trusting that the performances and emotional coherence will ultimately reframe the debate. Her collaboration with Jacob Elordi and Emerald Fennell is described as instinctive and demanding, built on physicality and emotional immediacy rather than over-preparation, an approach shaped in part by Robbie’s experience returning to set shortly after becoming a mother.
Beyond the film, the profile offers insight into Robbie’s working temperament: pragmatic, energetic, and unusually hands-on. On the Vogue shoot, she is described enduring long hours and harsh conditions without retreat, reinforcing an image of professionalism grounded in stamina rather than glamour. In conversation, she emerges as direct and informal, resistant to Hollywood artifice, yet increasingly protective of her private life. The interview marks a shift toward clearer personal boundaries, reflecting a recalibration that accompanies both motherhood and seniority within the industry.
Fashion operates throughout the story as both tool and language. Styled by Robbie Spencer and finished with hair by Bryce Scarlett and makeup by Pati Dubroff, the editorial balances controlled elegance with dramatic tension, echoing the heightened romanticism of Wuthering Heights. Robbie’s long-standing relationship with Chanel, alongside her interest in more subversive designers, reinforces a duality between polish and risk. In this January 2026 issue, Vogue UK presents Margot Robbie not as a passive muse, but as a figure actively negotiating authorship, visibility, and longevity within contemporary cinema and fashion culture.
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