Georges Hobeika Spring Summer 2026 Haute Couture Fashion Show

In a cathedral bathed in the filtered light of stained glass, Georges Hobeika presented L’Amour, a couture collection that married timeless technical mastery with the subtle poetry of human emotion. The collection conveyed a quiet yet powerful sense of grace, emphasizing love not as spectacle but as lived, shared experience—a principle mirrored in the careful construction and movement of each garment.

Silhouettes were elongated, precise, and harmoniously proportioned, ranging from column gowns to sculpted bodices and draped forms that allowed the body to move with fluidity. Strapless shapes, asymmetrical necklines, and contoured constructions created a visual rhythm, underscoring the designers’ commitment to cohesion rather than fleeting theatricality. Internal architecture supported the designs, ensuring elegance in both stance and motion.

Embroidery remained the defining signature of the House, handled with remarkable restraint. Hand-worked motifs, crystal applications, and metallic threads were applied directly in-house, articulating seams and accentuating the body without overwhelming the silhouette. This meticulous attention to detail reflected Georges Hobeika’s longstanding belief that craftsmanship should elevate structure rather than obscure it.

The color palette favored pale blush, soft metallics, whites, and nude tones, selectively anchored by deeper shades to highlight shape and surface. This deliberate moderation reinforced the collection’s emphasis on texture, drape, and finish, allowing the intricate embellishments and couture techniques to remain central to the visual narrative.

The father-and-son creative duo of Georges and Jad Hobeika balanced tradition and modernity, blending Georges’ mastery of embroidery and proportion with Jad’s preference for cleaner lines and contemporary refinement. The resulting collection felt assured, deliberate, and elegant—a testament to the continuity and authority of a Maison that has refined its craft over more than three decades.

L’Amour did not seek reinvention; instead, it reaffirmed the values of technical discipline, couture mastery, and expressive restraint. The collection projected the enduring vision of Georges Hobeika, while positioning the next generation to carry forward a vocabulary of couture defined by precision, delicacy, and poetic elegance.