Miss Sohee Spring Summer 2026 Haute Couture Fashion Show

A dreamlike tension between interior and exterior shaped Miss Sohee’s Spring Summer 2026 Haute Couture show, where Sohee Park translated private landscapes into ornate, highly controlled couture. Presented in the gilded salons of the Shangri-La, the collection’s opulence was merely a frame for something far more intimate: a window in the designer’s family home in southern Korea, through which she had watched wisteria bloom, bamboo bend, and light shift across sea and sky. That quiet act of looking became the conceptual spine of the collection, turning the female silhouette into a literal and emotional threshold between the body and the world beyond it.

Park’s sculptural approach to form once again centered on her signature corseted hourglass shapes with fluted skirts, here transformed into canvases for imagined landscapes. Embroidered mountains, orchids, and nocturnal skies unfurled across bodices like living tableaux, while couture flora erupted in three dimensions — brass bamboo branches bursting from necklines, cherry blossoms scattering across gowns. The theatricality peaked when a model appeared carrying a taxidermied albino peacock, its white plumage echoing the feathery texture of her own look, blurring the line between fashion and surreal spectacle.

The collection also leaned decisively into bridalwear, a cornerstone of Park’s growing made-to-order business. Rather than defaulting to nostalgic romance, her brides were envisioned as young, experimental, and defiantly modern. The finale look — a hooded veil inspired by traditional Korean head coverings — was executed in meters of sheer silk embroidered with wave-like patterns and densely set with Swarovski crystals. It was both ethereal and assertive, a marriage of heritage and high-glamour fantasy that refused to look backward.

Throughout the show, Park demonstrated her acute understanding of the female body: where to sculpt, where to release, and how to create garments that feel powerful without appearing rigid. At times the lavish symbolism and dense decoration risked overshadowing the clothes themselves, but the underlying structure remained precise and confident. Miss Sohee’s couture continues to walk a fine line between dream and discipline, offering fashion as a framing device — one that captures gardens, brides, and imagined horizons within the architecture of the body itself.