Rick Owens Fall Winter 2024-25 Fashion Show

Rick Owens transported audiences into his intimate realm at the Place du Palais Bourbon, where he presented a collection that epitomized his singular, sweeping vision while delving into smaller, more intimate gestures. Against the backdrop of his former French Socialist Party headquarters, Owens juxtaposed monumental silhouettes with delicate, autobiographical details, creating a mesmerizing tableau that celebrated both gothic instincts and goddessy silhouettes.

Batwing shoulders and puffer vests evoked a sense of protective armor, while leather and down boots conjured images of space costumes, as if his models had just returned from a celestial expedition. The deep-pink dress worn by Matières Fécales's Hannah Rose Dalton appeared to sprout wings in the back, adding a touch of ethereal drama to the collection.

However, it was the smaller gestures that truly captivated, as Owens focused on sweater dresses that hugged the body and showcased mesmerizing tattoos through portholes in the back. Elegant bias draped dresses were accessorized by shearling capes, channeling Owens's obsession with '30s references and Hollywood glamour, reminiscent of icons like Jean Harlow.

As one of Paris's last independent designers, Owens embraced his autobiographical journey, infusing his collection with personal narratives and cultural commentary. References to his California hometown of Porterville, as seen in the art deco font marching across capes, spoke to themes of oppression and resilience, offering a counterbalance to the strict aesthetic standards imposed by society.

Owens's collection served as a gentle yet powerful reminder of the importance of embracing authenticity and individuality in an industry often dominated by conformity. Through his fearless exploration of gothic elegance and goddessy silhouettes, Owens encouraged designers to blur the lines and challenge traditional notions of beauty, fostering a culture of acceptance and inclusivity.